London Concertante's 'Holst: St. Paul's Suite - Ostinato' came out on January 1, 2006. With Holst: St. Paul's Suite - Ostinato being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 12 in English Serenade by London Concertante. Based on our statistics, Holst: St. Paul's Suite - Ostinato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Holst: St. Paul's Suite - Ostinato by London Concertante is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Augmented Tango | David Gordon, London Concertante | A Major | 2 | 11B | 177 BPM | ||
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
In the Wee Small Hours of the Morning | Fred Hersch | D♭ Major | 0 | 3B | 113 BPM | ||
Milonga Bourgeois | Adam Summerhayes, David Gordon, London Concertante | D Major | 4 | 10B | 177 BPM | ||
Improvisation No. 15 in C minor, FP 176 "Hommage à Edith Piaf" | Enrico Pieranunzi, André Ceccarelli, Diego Imbert | D Major | 2 | 10B | 100 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Variation 25 (From J.S. Bach: Goldberg Variations, BWV 988) | Marcin Wasilewski Trio | G Minor | 1 | 6A | 86 BPM | ||
Württemberg Sonatas / Sonata No. 3 in E Minor, H. 33: I. Allegro | Carl Philipp Emanuel Bach, Keith Jarrett | G Major | 1 | 9B | 124 BPM | ||
Darkest Before the Dawn | André Previn | A♭ Major | 0 | 4B | 72 BPM |
Section: 0.8000929355621338
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