The Sixteen made "Messiah: Part 1, His yoke is easy and His burthen is light (Chorus)" available on September 1, 2008. The duration of Messiah: Part 1, His yoke is easy and His burthen is light (Chorus) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Messiah: Part 1, His yoke is easy and His burthen is light (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Sixteen's "Handel: Messiah" album is number 22 out of 56. In terms of popularity, Messiah: Part 1, His yoke is easy and His burthen is light (Chorus) is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Messiah: Part 1, His yoke is easy and His burthen is light (Chorus) by The Sixteen to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah / Part 1: "Behold, a virgin shall conceive...O thou that tellest good tidings" | George Frideric Handel, Anna Reynolds, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 83 BPM | ||
Glory to thee, my God, this night | Thomas Tallis, The Cambridge Singers, John Rutter | A♭ Major | 1 | 4B | 79 BPM | ||
Videntes stellam Magi | Orlande de Lassus, Traditional, The Sixteen, Harry Christophers | F Minor | 2 | 4A | 175 BPM | ||
The day thou gavest, Lord, is ended | Clement Cotterill Scholefield, The Cambridge Singers, John Scott, John Rutter | A♭ Major | 1 | 4B | 83 BPM | ||
Concerto grosso No. 8 in G Minor, Op. 6 'Fatto per la notte di Natale': I. Vivace - Grave | Arcangelo Corelli, Gli Incogniti, Amandine Beyer | B Minor | 1 | 10A | 176 BPM | ||
Gloria in D, R.589: 12. Cum Sancto Spiritu | Antonio Vivaldi, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Simon Preston | D♭ Major | 2 | 3B | 96 BPM | ||
Joseph, lieber Joseph mein | Hieronymus Praetorius, Voces8 | F♯ Major | 3 | 2B | 81 BPM | ||
While Shepherds Watched | Traditional, The Sixteen, Harry Christophers | G Major | 1 | 9B | 81 BPM | ||
Messiah / Part 2: "Why do the nations...Let us break asunder" | George Frideric Handel, Gwynne Howell, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 3 | 9B | 117 BPM | ||
Concerto Grosso in F Minor, Op. 1 No. 8 "Christmas": V. Pastorale | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 181 BPM |
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