"Five Songs, Op. 37:1 Den första kyssen (The first Kiss)" by Birgit Nilsson, Geoffrey Parsons was released on July 5, 2011. With Five Songs, Op. 37:1 Den första kyssen (The first Kiss) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 29 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Five Songs, Op. 37:1 Den första kyssen (The first Kiss) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Five Songs, Op. 37:1 Den första kyssen (The first Kiss) by Birgit Nilsson, Geoffrey Parsons is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 3: "Che è mai di me?" | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, Wandsworth School Boys Choir, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | C Major | 1 | 8B | 67 BPM | ||
Die Meistersinger von Nürnberg - Act 3: "Morgen ich leuchte" | Richard Wagner, Norman Bailey, Bernd Weikl, Michel Sénéchal, Kurt Moll, Adalbert Kraus, Martin Egel, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | C Major | 3 | 8B | 84 BPM | ||
Jenufa / Act 2: Co chvila ... co chvila | Leoš Janáček, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 77 BPM | ||
Tristan und Isolde (1988 Digital Remaster), Act III, Scene III: Mild und leise wie er lächelt (Isoldes Liebestod) | Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 176 BPM | ||
Madama Butterfly / Act 2: Suzuki! Suzuki! Dove sei? | Giacomo Puccini, Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | F Major | 2 | 7B | 92 BPM | ||
Elektra, Op.58, TrV 223: "Wenn das rechte Blutopfer unterm Beile fällt" | Richard Strauss, Birgit Nilsson, Regina Resnik, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 2 | 5B | 89 BPM | ||
Das Rheingold, WWV 86A / Scene 4: "Hört, ihr Riesen!" | Richard Wagner, Claire Watson, Eberhard Wächter, George London, Kurt Böhme, Walter Kreppel, Set Svanholm, Kirsten Flagstad, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 3 | 5B | 96 BPM | ||
Verdi: Messa da Requiem: V. Liber scriptus - Dies irae | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano | G Minor | 1 | 6A | 86 BPM | ||
Five Songs, Op. 37:5 Flickan Kom Från Sin Älsklings Möte (The Girl Returned from Meeting Her Lover) | Birgit Nilsson, Janos Solyom | F Major | 1 | 7B | 87 BPM |
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