"Theme and Variations on “Ma jeunesse a une fin”: IV. Fileuse" by Pierre Cochereau, Pierre Pincemaille was released on September 10, 2002. With Theme and Variations on “Ma jeunesse a une fin”: IV. Fileuse being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 15 in Cochereau: The Written Works by Pierre Cochereau, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Theme and Variations on “Ma jeunesse a une fin”: IV. Fileuse is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Theme and Variations on “Ma jeunesse a une fin”: IV. Fileuse by Pierre Cochereau, Pierre Pincemaille is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offertoire | Pierre Cochereau | F♯ Major | 1 | 2B | 75 BPM | ||
Tallis: Spem in Alium - 3. Respice | The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 140 BPM | ||
Improvised Symphony for Organ: Themes, I. Introduction - Aug. 1978 | Pierre Cochereau | D♭ Major | 1 | 3B | 87 BPM | ||
La Nativité du Seigneur: 7. Jésus accepte la souffrance | Olivier Messiaen, Pierre Cochereau | A Minor | 1 | 8A | 102 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 137 BPM | ||
Liturgy of St. John Chrysostom, Op. 41, TH 75 (Concert Version): No. 2, Glory Be to the Father | Pyotr Ilyich Tchaikovsky, Karlis Rutentals, Gundars Dziļums, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 3 | 6B | 82 BPM | ||
Eli, Eli | Georgius Bardos, Landesjugendchor Schleswig-Holstein, Matthias Janz | C Minor | 0 | 5A | 82 BPM | ||
Klusas dziemas (silent songs): II. Dusi dusi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Misa a Buenos Aires "Misatango": Benedictus | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | G Major | 1 | 9B | 89 BPM | ||
Fanfare on "Ellacombe" | Paul Fey | B♭ Major | 2 | 6B | 68 BPM |
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