On May 3, 2021, the song "12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 5" was released by Wolfgang Amadeus Mozart, Lang Lang. With 12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 5 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Wolfgang Amadeus Mozart's "Mozart for the Background" album is number 40 out of 185. Based on our statistics, 12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 5's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of 12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 5 by Wolfgang Amadeus Mozart, Lang Lang to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Mozart: Flute Sonata in B-Flat Major, K. 378: II. Andantino sostenuto e cantabile (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | F Minor | 1 | 4A | 64 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM |
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