"Половецкие Пляски, "Князь Игорь"" by Alexander Borodin, Академический Большой хор «Мастера хорового пения», Симфонический оркестр РГМЦ was released on February 9, 2015. The duration of Половецкие Пляски, "Князь Игорь" is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Половецкие Пляски, "Князь Игорь"'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Классическая Музыка - 100 Лучших Произведений, so we believe that "Половецкие Пляски, "Князь Игорь"" is a single. Половецкие Пляски, "Князь Игорь" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Половецкие Пляски, "Князь Игорь" by Alexander Borodin, Академический Большой хор «Мастера хорового пения», Симфонический оркестр РГМЦ is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Венский вальс, Op. 307 | Иоганн Штраус II, Государственный Симфонический Оркестр Министерства культуры СССР, Pavel Kogan | G Major | 7 | 9B | 102 BPM | ||
Two Waltzes: No. 2 in E Minor | Alexander Griboyedov, Дмитрий Благой | C Major | 1 | 8B | 170 BPM | ||
Polonaise - Farewell to the Fatherland | Boris Khaykin, Bolshoi Theatre Orchestra | A Minor | 2 | 8A | 66 BPM | ||
Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt) | Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 146 BPM | ||
The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | B♭ Major | 2 | 6B | 103 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Страсти по Матфею, BWV 244: Ария альта "Erbarme Dich" | Иоганн Себастьян Бах, Валентина Левко, Ансамбль солистов оркестра Большого театра СССР | E Minor | 1 | 9A | 87 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Симфоническая поэма No2 Влтава, "Моя Родина" | Сметана Берджих, Симфонический оркестр РГМЦ | E Major | 2 | 12B | 108 BPM | ||
Il Barbiere di Siviglia: Una voce poco fa | Gioachino Rossini, Marilyn Horne, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | C Minor | 1 | 5A | 61 BPM |
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