"Lagrime di San Pietro (Tears of San Pietro): 19a parte - Queste opre e più" by Orlande de Lassus, Hofkapelle Ensemble, Michael Procter was released on January 1, 2003. With Lagrime di San Pietro (Tears of San Pietro): 19a parte - Queste opre e più being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Orlande de Lassus, Hofkapelle Ensemble, Michael Procter's "Lassus, O.: Lagrime Di San Pietro / Melancholia" album is number 19 out of 34. On top of that, Germany appears to be the country where this track was created. Lagrime di San Pietro (Tears of San Pietro): 19a parte - Queste opre e più is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lagrime di San Pietro (Tears of San Pietro): 19a parte - Queste opre e più by Orlande de Lassus, Hofkapelle Ensemble, Michael Procter to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Libro de villanelle, moresche, et altre canzoni (Excerpts): No. 16, Álla la, pia calia | Orlande de Lassus, Ensemble Origo, Eric Rice, Unknown Artist | B♭ Major | 2 | 6B | 62 BPM | ||
Léonin / Pérotin: Magnus Liber / Feast of St. Stephen: Video celos apertos (Communion) | Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir | G Major | 2 | 9B | 86 BPM | ||
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Kuoro, Kiitos Herran | Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
Le chant des oiseaux | Clément Janequin, Concert Clemens, Carsten Seyer-Hansen | B♭ Major | 2 | 6B | 78 BPM | ||
Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 1 | 10B | 90 BPM | ||
Magi veniunt ab oriente: II. Magi videntes stellam | Jacob Clemens non Papa, Owain Park, The Gesualdo Six | B Minor | 1 | 10A | 86 BPM | ||
Introitus: II. Te decet hymnus Deus in Sion | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 81 BPM | ||
Glory be to Thee | USSR Ministry of Culture Chamber Choir, Valery Polyansky | E♭ Minor | 0 | 2A | 79 BPM |
Section: 0.5983016490936279
End: 0.6029679775238037