Joseph Haydn, Grigory Sokolov made "Keyboard Sonata No. 32 in G Minor, Hob. XVI:44: I. Moderato - Live" available on April 8, 2022. Since Keyboard Sonata No. 32 in G Minor, Hob. XVI:44: I. Moderato - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Grigory Sokolov, Franz Schubert, Joseph Haydn's "Grigory Sokolov at Esterházy Palace (Live)" album is number 1 out of 18. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Keyboard Sonata No. 32 in G Minor, Hob. XVI:44: I. Moderato - Live is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Keyboard Sonata No. 32 in G Minor, Hob. XVI:44: I. Moderato - Live by Joseph Haydn, Grigory Sokolov to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harmonies poétiques et religieuses III, S. 173: No. 2, Ave Maria | Franz Liszt, Jenny Lin | B♭ Major | 0 | 6B | 111 BPM | ||
Loutky, H. 137: No. 1. Colombina tanci (Columbine Dances) | Bohuslav Martinů, Giorgio Koukl | A Minor | 1 | 8A | 67 BPM | ||
Keyboard Sonata in D Minor, Wq. 51/4, H. 128, "Fortsetzung Sonata No. 4": II. Largo e sostenuto | Carl Philipp Emanuel Bach, Christopher Hinterhuber | G Minor | 0 | 6A | 136 BPM | ||
The School of Velocity, Op. 299: No. 9 in C Major, Molto allegro | Carl Czerny, Vadim Chaimovich | G Major | 2 | 9B | 96 BPM | ||
Sonata No. 1 in B-Flat Major, G.25: I. Allegro con Moto | Luigi Boccherini, Igor Ruhadze, Alexandra Nepomnyashchaya | E Minor | 0 | 9A | 139 BPM | ||
Oboe Sonata, Op. 166: III. Molto allegro | Camille Saint-Saëns, Heinz Holliger, Anton Kernjak | E♭ Major | 0 | 5B | 66 BPM | ||
Lamento No. 1 | João Marcondes, O Imprevisível Núcleo de Compositores | C Major | 1 | 8B | 169 BPM | ||
Adieu / Adiós / Farewell | Franz Burgmüller | C Major | 1 | 8B | 157 BPM | ||
Entr'acte No. 5 - Duo-Art 8004 | Andre Ernest Gretry, Arthur De Greef, Peter Phillips | B♭ Major | 1 | 6B | 136 BPM | ||
Waldszenen, Op. 82: No. 3, Einsame Blumen | Schumann, Zlata Chochieva | B♭ Major | 1 | 6B | 183 BPM |
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