"Missa Prolationum: Agnus Dei III" by Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry was released on 2019. The duration of Missa Prolationum: Agnus Dei III is about 3 minutes long, at 3:08. Based on our data, "Missa Prolationum: Agnus Dei III" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich's "Missa Prolationum" album is number 9 out of 10. On top of that, Germany appears to be the country where this track was created. Missa Prolationum: Agnus Dei III is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Prolationum: Agnus Dei III by Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salve regina à 8 (extrait) | Montserrat Figueras, Tomás Luis de Victoria, La Capella Reial De Catalunya | F Minor | 1 | 4A | 90 BPM | ||
Missa pro defunctis (Excerpts): II. Kyrie | Johannes Ockeghem, Ars Veritas, Schola Cantorum, Joel Engvall, Leander Franke, Jeremy D. Jones, Jakob Patriksson | A Minor | 1 | 8A | 50 BPM | ||
Sing we and chaunt it | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | D♭ Minor | 2 | 12A | 107 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Motets: Cantate domino | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 77 BPM | ||
Quemadmodum | John Taverner, Owen Rees, Contrapunctus | C Minor | 1 | 5A | 76 BPM | ||
O salutaris hostia | Pierre de la Rue, Choir of Clare College, Cambridge, Graham Ross | F Major | 0 | 7B | 72 BPM | ||
All-night Vigil, Op. 37, "Vespers": Thanksgiving hymn of Virgin Mary: O victorious leader | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | C Major | 3 | 8B | 132 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
In Nomine à 5 "Trust" | Christopher Tye, Fretwork | C Minor | 0 | 5A | 62 BPM |
Section: 0.6077799797058105
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