"‘Shadow Walker’ Concerto for Two Violins & Orchestra: III." by Mark-Anthony Turnage, N/A, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel, Vadim Repin, Daniel Hope had its release date on April 20, 2018. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Turnage 'Shadow Walker' & Berlioz Symphonie Fantastique". In this album, this song's track order is #3. ‘Shadow Walker’ Concerto for Two Violins & Orchestra: III. is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With ‘Shadow Walker’ Concerto for Two Violins & Orchestra: III. by Mark-Anthony Turnage, N/A, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel, Vadim Repin, Daniel Hope having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Two Memorials: Trier | Mark-Anthony Turnage, Nash Ensemble | E♭ Major | 0 | 5B | 73 BPM | ||
3 Fragmente: I. Magie | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | C Minor | 1 | 5A | 150 BPM | ||
Concerto Grosso: III. Toccata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | C Major | 2 | 8B | 152 BPM | ||
Greek - Act 1: Interlude 1 - Scene 5a (Café) | Mark-Anthony Turnage, Quentin Hayes, Fiona Kimm, Helen Charnock, The Greek Ensemble, Richard Bernas | B Minor | 1 | 10A | 157 BPM | ||
Prometheus: III. According to the Third... | Geoffrey Gordon, Philharmonia Orchestra, Martyn Brabbins, Laurent Ben Slimane | A Major | 1 | 11B | 81 BPM | ||
Sept papillons: Papillons I | Kaija Saariaho, Alexis Descharmes | D Major | 1 | 10B | 86 BPM | ||
Lamentate: Minacciando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | C Major | 0 | 8B | 72 BPM | ||
The Autumn Leaves | Winfred Jeremiah | D Minor | 1 | 7A | 90 BPM | ||
Mythes, Op. 30, M29: No. 1, La fontaine d'Aréthuse | Karol Szymanowski, Elizabeth Chang, Steven Beck | E♭ Minor | 2 | 2A | 174 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | A Major | 1 | 11B | 70 BPM |