"Terra tremuit" by Friedrich Zehm, cantus et musica Freiburg, Raimund Hug was released on June 28, 2013. The duration of Terra tremuit is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Terra tremuit's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in cantus et musica Freiburg, Raimund Hug's "Heiller, Kubizek, Orbán, Schilling, Nystedt, Brunner, Wiggins, Zehm, Marx, Lengerich, Kropfreiter & Planyavsky: Resurrexi - Neue Chormusik zur Fasten- und Osterzeit" album is number 10 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Terra tremuit's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Terra tremuit by Friedrich Zehm, cantus et musica Freiburg, Raimund Hug to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abend wird es wieder | Johann Christian Rinck, Hoffmann von Fallersleben, Athesinus Consort Berlin, Klaus-Martin Bresgott, Uwe Steinmetz, Arno Schneider, Stephan M. Gähler, Heike O. Scheel, Stefan Q. Drexlmeier, Ulrike S. Barth | G Minor | 3 | 6A | 112 BPM | ||
The Passing of the Year: No. 6. Adieu! farewell earth's bliss! | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | B♭ Minor | 0 | 3A | 82 BPM | ||
Seek Ye First | Oasis Chorale, Wendell Nisly | B♭ Major | 0 | 6B | 70 BPM | ||
Annelies (chamber version): IX. The dream | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | F Major | 0 | 7B | 68 BPM | ||
Requiem, Op. 9: IX. In paradisum | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Henri Chalet, Alice Korovitch | D Major | 0 | 10B | 67 BPM | ||
Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
Разбойника благоразумного | Хор Сретенского монастыря | D♭ Minor | 6 | 12A | 146 BPM | ||
Einzug des Chores: Laudate omnes gentes | Jacques Berthier, Bach-Chor Siegen, Ulrich Stötzel | A Minor | 2 | 8A | 86 BPM | ||
Missa ex B: XXVI. Agnus Dei I - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 1 | 6B | 84 BPM | ||
Salvator mundi I | Quire of Voyces | A♭ Minor | 3 | 1A | 94 BPM |
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