"Signs, Games And Messages For Viola Solo: In Nomine - all’ongherese (Damjanich emlékkő)" by György Kurtág, Kim Kashkashian was released on January 1, 2012. With this song being about 5 minutes long, at 4:39, "Signs, Games And Messages For Viola Solo: In Nomine - all’ongherese (Damjanich emlékkő)" by György Kurtág, Kim Kashkashian is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Kim Kashkashian's "Kurtág, Ligeti: Music For Viola" album is number 1 out of 25. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Signs, Games And Messages For Viola Solo: In Nomine - all’ongherese (Damjanich emlékkő) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Signs, Games And Messages For Viola Solo: In Nomine - all’ongherese (Damjanich emlékkő) by György Kurtág, Kim Kashkashian to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Asturiana | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
Rêverie, L. 68 | Claude Debussy, Alice Sara Ott | G Minor | 0 | 6A | 68 BPM | ||
Études: No. 13 | Philip Glass, Víkingur Ólafsson | A Minor | 2 | 8A | 79 BPM | ||
Sisask : Starry Sky Cycle Op.52 - Pleiades : 17. II Maja | Urmas Sisask, Lauri Väinmaa | F Major | 0 | 7B | 69 BPM | ||
Scenes de la foret, Op. 123: No. 1. Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, members | A♭ Major | 0 | 4B | 131 BPM | ||
Préludes / Book 1, L.117: 6. Des pas sur la neige | Claude Debussy, Pierre-Laurent Aimard | F Major | 0 | 7B | 132 BPM | ||
Post Scriptum - Sonata For Violin And Piano: 2. Andantino | Valentin Silvestrov, Alexei Lubimov, Alexander Trostiansky | A♭ Major | 0 | 4B | 138 BPM | ||
Játékok / Book 1: Little Chorale - Grand Piano | György Kurtág, Víkingur Ólafsson | F♯ Major | 6 | 2B | 147 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 78 BPM |
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