Mozart: Die Zauberflöte, K. 620, Act 1 Scene 16: "Herr! Ich bin zwar Verbrecherin!" (Pamina, Sarastro)
Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players
Mozart: Die Zauberflote
2:16 February 7, 2005
BPM
91
Key
C Major
Camelot
8B

Embed

Share Link

Mozart: Die Zauberflöte, K. 620, Act 1 Scene 16: "Herr! Ich bin zwar Verbrecherin!" (Pamina, Sarastro) - Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players Information

Acousticness
97%
Danceability
30%
Energy
6%
Instrumentalness
0%
Liveness
21%
Loudness
57%
Speechiness
5%
Valence
14%
Popularity
Loudness
-25.849 dB

Summary

"Mozart: Die Zauberflöte, K. 620, Act 1 Scene 16: "Herr! Ich bin zwar Verbrecherin!" (Pamina, Sarastro)" by Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players was released on February 7, 2005. The duration of Mozart: Die Zauberflöte, K. 620, Act 1 Scene 16: "Herr! Ich bin zwar Verbrecherin!" (Pamina, Sarastro) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Mozart: Die Zauberflöte, K. 620, Act 1 Scene 16: "Herr! Ich bin zwar Verbrecherin!" (Pamina, Sarastro)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players's "Mozart: Die Zauberflote" album is number 22 out of 60. In terms of popularity, Mozart: Die Zauberflöte, K. 620, Act 1 Scene 16: "Herr! Ich bin zwar Verbrecherin!" (Pamina, Sarastro) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mozart: Die Zauberflöte, K. 620, Act 1 Scene 16: "Herr! Ich bin zwar Verbrecherin!" (Pamina, Sarastro) BPM

We consider the tempo marking of Mozart: Die Zauberflöte, K. 620, Act 1 Scene 16: "Herr! Ich bin zwar Verbrecherin!" (Pamina, Sarastro) by Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Mozart: Die Zauberflöte, K. 620, Act 1 Scene 16: "Herr! Ich bin zwar Verbrecherin!" (Pamina, Sarastro) Key

The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major by Clara Schumann, Jozef De Beenhouwer3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat MajorClara Schumann, Jozef De BeenhouwerB♭ Major06B100 BPM
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. Allegro by Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor PinnockConcerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. AllegroAntonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor PinnockD♭ Major23B144 BPM
Das Wohltemperierte Klavier: Book 2, BWV 870-893: Präludium f-Moll, BWV 881 by Johann Sebastian Bach, András SchiffDas Wohltemperierte Klavier: Book 2, BWV 870-893: Präludium f-Moll, BWV 881Johann Sebastian Bach, András SchiffF Minor04A70 BPM
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabileFranz Joseph Haydn, Alban Berg QuartettB♭ Major16B101 BPM
Sinfonia concertante for Violin, Viola and Orchestra in E-Flat Major, K. 364: II. Andante by Wolfgang Amadeus Mozart, Gordan Nikolić, Julia Fischer, Netherlands Chamber Orchestra, Yakov KreizbergSinfonia concertante for Violin, Viola and Orchestra in E-Flat Major, K. 364: II. AndanteWolfgang Amadeus Mozart, Gordan Nikolić, Julia Fischer, Netherlands Chamber Orchestra, Yakov KreizbergC Minor15A78 BPM
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabileJoseph Haydn, Kodály QuartetG Major09B106 BPM
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian WatsonD Major310B99 BPM
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) by Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano)Gabriel Fauré, Jesper Svedberg, Simon Crawford-PhillipsA Major011B79 BPM
Prelude & Fughetta in G Major, BWV 902: I. Prelude by Johann Sebastian Bach, Víkingur ÓlafssonPrelude & Fughetta in G Major, BWV 902: I. PreludeJohann Sebastian Bach, Víkingur ÓlafssonD Major310B101 BPM
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto by Robert Schumann, Mikhail PletnevSymphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il cantoRobert Schumann, Mikhail PletnevD♭ Minor112A69 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6299920082092285

End: 0.6350982189178467