King Oliver's Creole Jazz Band made "Mabel's Dream - 1st Take" available on January 1, 1992. The duration of Mabel's Dream - 1st Take is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Mabel's Dream - 1st Take's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Louis Armstrong, King Oliver's "Louis Armstrong And King Oliver" album is number 14 out of 25. Mabel's Dream - 1st Take is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mabel's Dream - 1st Take by King Oliver's Creole Jazz Band to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhythm Is Our Business - 1st Take | Jimmie Lunceford & His Orchestra | G Major | 2 | 9B | 112 BPM | ||
Twelfth Street Rag | Fletcher Henderson | D Major | 6 | 10B | 104 BPM | ||
Dipsy Doodle | Larry Clinton | B Major | 4 | 1B | 179 BPM | ||
Heah Me Talkin' To Ya? | Louis Armstrong & His Savoy Ballroom Five | B♭ Major | 4 | 6B | 200 BPM | ||
It Had To Be You | Adrian Rollini | G Minor | 2 | 6A | 162 BPM | ||
Heebie Jeebies | Louis Armstrong, Louis Armstrong & His Hot Five | E Minor | 3 | 9A | 97 BPM | ||
What a Difference a Day Made | Freddy Martin & His Orchestra | A Minor | 5 | 8A | 113 BPM | ||
Panama Rag | Lake City Stompers | C Minor | 4 | 5A | 122 BPM | ||
Bugle Call Rag | George Lewis | B♭ Major | 4 | 6B | 90 BPM | ||
Tin Roof Blues | New Orleans Rhythm Kings | E♭ Major | 3 | 5B | 83 BPM |
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