"Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): And the Mercy, Amen" by Komitas, Armen Badalyan, Hovhannes Nersesyan, Jānis Kurševs, Latvian Radio Choir, Sigvards Kļava was released on July 10, 2020. With this song being about 5 minutes long, at 5:18, "Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): And the Mercy, Amen" by Komitas, Armen Badalyan, Hovhannes Nersesyan, Jānis Kurševs, Latvian Radio Choir, Sigvards Kļava is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Komitas, Latvian Radio Choir, Sigvards Kļava's "Komitas: Divine Liturgy" album is number 21 out of 31. On top of that, United States appears to be the country where this track was created. Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): And the Mercy, Amen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): And the Mercy, Amen by Komitas, Armen Badalyan, Hovhannes Nersesyan, Jānis Kurševs, Latvian Radio Choir, Sigvards Kļava to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Strawberry Thief | Sally Greenaway, David Shaw, Samuel Payne, Edward Neeman | E Minor | 1 | 9A | 72 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Berceuse, Op. 3 No. 2 (Version for Piano) | Alexander Spendiarov, Mikael Ayrapetyan | A♭ Major | 0 | 4B | 129 BPM | ||
Wasserklavier | David Arden | B♭ Minor | 0 | 3A | 79 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
C:3 Shushiki (No. 4 from Dances) | Komitas, Dinara Klinton | A Minor | 1 | 8A | 162 BPM | ||
Polovtsian Dances from Prince Igor (piano arr. by L. Faulkner) | Alexander Borodin, Luke Faulkner | A Major | 1 | 11B | 72 BPM | ||
The Crane | Armenian folk songs, Komitas | E Minor | 2 | 9A | 68 BPM | ||
Prelude No. 5 | Federico Mompou, Olena Kushpler | D Minor | 0 | 7A | 74 BPM |
Section: 0.7737221717834473
End: 0.7778031826019287