Georges Garvarentz, Raymond Lefèvre's 'Le viol' came out on January 2, 2015. With Le viol being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Georges Garvarentz, Raymond Lefèvre's "Le rat d'Amérique (Bande originale du film)" album is number 16 out of 17. On top of that, Canada appears to be the country where this track was created. Le viol is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le viol by Georges Garvarentz, Raymond Lefèvre to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Music Man: Pick-a-Little, Talk-a-Little | Meredith Willson Orchestra, Meredith Willson | D Major | 2 | 10B | 63 BPM | ||
Générique | Georges Garvarentz | E♭ Major | 8 | 5B | 116 BPM | ||
Cumana | Dick Hyman | A Minor | 4 | 8A | 147 BPM | ||
Spring Fashion | Group-Forty Orchestra, Laurie Johnson | G Major | 3 | 9B | 83 BPM | ||
Paris Honeymoon | Laurie Johnson | D Minor | 5 | 7A | 140 BPM | ||
Tango Final | Piero Piccioni | F Minor | 1 | 4A | 116 BPM | ||
Buried Beneath the Sands | Gavin Harrison | C Major | 1 | 8B | 77 BPM | ||
I'll Always Be in Love with You | The Melachrino Strings and Orchestra | C Major | 3 | 8B | 85 BPM | ||
The Skull / Acclimation Montage | Basil Poledouris | A Major | 4 | 11B | 117 BPM | ||
Rencontre à Asuncion | Georges Garvarentz, Raymond Lefèvre | D Minor | 3 | 7A | 75 BPM |
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