"Symphony No. 14, "Morgenen" (The Morning): II. Upaagtede morgenstjerner (Unnoticed morning stars)" by Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard was released on November 1, 2006. Since Symphony No. 14, "Morgenen" (The Morning): II. Upaagtede morgenstjerner (Unnoticed morning stars) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rued Langgaard, Thomas Dausgaard's "Langgaard, R.: Symphonies Nos. 12, "Helsingeborg", 13, "Undertro" and 14, "Morgenen"" album is number 10 out of 15. On top of that, Denmark appears to be the country where this track was created. Symphony No. 14, "Morgenen" (The Morning): II. Upaagtede morgenstjerner (Unnoticed morning stars) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 14, "Morgenen" (The Morning): II. Upaagtede morgenstjerner (Unnoticed morning stars) by Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barcarolle No .7 in D Minor, Op. 90 | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
Napoli, suite pour piano, FP 40: III. Caprice Italien | Francis Poulenc, Chiara Cipelli | D♭ Major | 2 | 3B | 157 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
Sextet for Piano, Clarinet, Horn and String Trio, Op. 37: III. Allegro con sentimento – | Ernst von Dohnányi, Nash Ensemble | G Major | 3 | 9B | 170 BPM | ||
Five Greek Dances for Strings: I. Epirotikos | Nikos Skalkottas, Belinfante Quartet | F Major | 2 | 7B | 127 BPM | ||
Lyric Pieces, Op. 71: No. 2, Sommeraften. Allegretto tranquillamente | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM | ||
Préludes, Book 2, L. 123 (Excerpts): No. 7, La terrasse des audiences du clair de lune | Claude Debussy, Jorge Federico Osorio | F♯ Major | 0 | 2B | 74 BPM | ||
Antikrist: Act I Scene 3, "Despair": Liv er sorg, smerte og pine i "larmens kirke-ode" (Disponency) | Rued Langgaard, Sten Byriel, Anne Margrethe Dahl, Poul Elming, Helene Gjerris, Johnny Van Hal, Jon Ketilsson, John Lundgren, Camilla Nylund, Susanne Resmark, Morten Suurballe, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 2 | 7B | 65 BPM | ||
Sonatina "in diem Nativitatis Christi MCMXVII" (No. 4), BV 274 | Ferruccio Busoni, Chiyan Wong | F Major | 0 | 7B | 129 BPM | ||
Lyric Pieces Book 5, Op. 54: No. 3, March of the Trolls | Edvard Grieg, Stephen Hough | B♭ Major | 0 | 6B | 58 BPM |
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