"[Suite in D Minor]: Sarabande in D Minor, Gustafson 51" by Louis Couperin, Pavel Kolesnikov was released on March 30, 2018. The duration of [Suite in D Minor]: Sarabande in D Minor, Gustafson 51 is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. [Suite in D Minor]: Sarabande in D Minor, Gustafson 51's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Louis Couperin, Pavel Kolesnikov's "Louis Couperin: Dances from the Bauyn Manuscript" album is number 4 out of 22. On top of that, United Kingdom appears to be the country where this track was created. [Suite in D Minor]: Sarabande in D Minor, Gustafson 51 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of [Suite in D Minor]: Sarabande in D Minor, Gustafson 51 by Louis Couperin, Pavel Kolesnikov to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hexachordum Apollinis: No. 1 in D Minor, Aria & 6 Variations, P. 193 | Johann Pachelbel, Enrico Bissolo | D Major | 7 | 10B | 125 BPM | ||
Concerto No. 6 in G Major, SF 941 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | F♯ Major | 1 | 2B | 99 BPM | ||
Assaggio per violino solo in G Minor, BeRI 320: III. | Johan Helmich Roman, Fabio Biondi | D Major | 0 | 10B | 113 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Courante La Boucon | Jacques Duphly, Elisabeth Joyé | B♭ Minor | 3 | 3A | 136 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Jupiter | Antoine Forqueray, Scott Ross | B Minor | 5 | 10A | 84 BPM | ||
Flute Sonata in E Minor, Op. 1 No. 1b, HWV 359b: III. Adagio | George Frideric Handel, Dorothea Seel, Luca Guglielmi | D Minor | 2 | 7A | 95 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Vivace | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | A Major | 4 | 11B | 76 BPM | ||
Pieces de clavecin: Suite in E Minor: IV. Gigue en rondeau II | Jean-Philippe Rameau, Gilbert Rowland | D♭ Minor | 4 | 12A | 108 BPM |
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