Jussi Björling, Babro Ericson, Erik Sundqvist, Eva Prytz, Kerstin Meyer, Olle Sivall's 'Rigoletto, Act 2: Signor Nè Principe...T'amo...è Il Sol Dell'anima' came out on March 3, 1931. Since Rigoletto, Act 2: Signor Nè Principe...T'amo...è Il Sol Dell'anima is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #82. Furthermore, we believe that the track originated from Germany. In terms of popularity, Rigoletto, Act 2: Signor Nè Principe...T'amo...è Il Sol Dell'anima is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rigoletto, Act 2: Signor Nè Principe...T'amo...è Il Sol Dell'anima by Jussi Björling, Babro Ericson, Erik Sundqvist, Eva Prytz, Kerstin Meyer, Olle Sivall having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La sonnambula, Act I: Prendi: l'anel ti dono - Edit | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | E Major | 3 | 12B | 130 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Turandot | Birgit Nilsson, Alessio De Paolis, Erich Leinsdorf, Renata Tebaldi, Jussi Björling, Orchestra and Chorus of Teatro dell'Opera di Roma | D Major | 4 | 10B | 101 BPM | ||
Pagliacci: La Commedia: Paliaccio, mio marito (Nedda) | Ruggero Leoncavallo, Victoria de los Ángeles, Jussi Björling, George Cehanovsky, Paul Franke, Leonard Warren, Richard Wright, Robert Merrill, Columbus Boychoir, Robert Shaw Chorale, RCA Victor Orchestra, Renato Cellini | C Major | 1 | 8B | 93 BPM | ||
Mon coeur s'ouvre à ta voix | Camille Saint-Saëns, Christa Ludwig, Giuseppe Patanè | C Major | 1 | 8B | 77 BPM | ||
Uti vår hage | Hugo Alfvén, Lunds Studentsångare, Mats Paulson | B Minor | 0 | 10A | 101 BPM | ||
La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" | Giacomo Puccini, Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | A Major | 2 | 11B | 170 BPM | ||
L'elisir D'amour, Act 2: Una Furtiva Lagrima | Jussi Björling | E Minor | 5 | 9A | 120 BPM | ||
Forkladd gud, Op. 24: Prelude | Lars-Erik Larsson, Stockholm Radio Orchestra, Stig Westerberg | D♭ Major | 4 | 3B | 105 BPM | ||
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM |
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