Wolfgang Amadeus Mozart, Fritz Kreisler, The Bell Telephone Hour Orchestra, Donald Voorhees's 'Violin Concerto No. 3 in G Major, K. 216 "Strassburg": I. Allegro (Live) [Remastered 2022]' came out on October 14, 2022. Since Violin Concerto No. 3 in G Major, K. 216 "Strassburg": I. Allegro (Live) [Remastered 2022] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "The Bell Telephone Hour Recordings, Vol. 1: Concertos by Mozart, Viotti, Mendelssohn, Bruch & Brahms (Live) [Remastered 2022]". In this album, this song's track order is #1. In terms of popularity, Violin Concerto No. 3 in G Major, K. 216 "Strassburg": I. Allegro (Live) [Remastered 2022] is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Violin Concerto No. 3 in G Major, K. 216 "Strassburg": I. Allegro (Live) [Remastered 2022] by Wolfgang Amadeus Mozart, Fritz Kreisler, The Bell Telephone Hour Orchestra, Donald Voorhees having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Sinfonia Concertante in E-Flat Major, K. 364: 3. Presto - Live | Wolfgang Amadeus Mozart, Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | E♭ Major | 1 | 5B | 77 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM |
Section: 0.647517204284668
End: 0.6509695053100586