"Gershwin: 3 Preludes: II. Andante con moto e poco rubato (Arr. for Violin and Piano by Jascha Heifetz)" by George Gershwin, Itzhak Perlman, Samuel Sanders was released on October 3, 2005. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Violin Encores: Perlman by Itzhak Perlman. The song's track number on the album is #20 out of 46 tracks. Gershwin: 3 Preludes: II. Andante con moto e poco rubato (Arr. for Violin and Piano by Jascha Heifetz) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gershwin: 3 Preludes: II. Andante con moto e poco rubato (Arr. for Violin and Piano by Jascha Heifetz) by George Gershwin, Itzhak Perlman, Samuel Sanders has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gershwin: 3 Preludes: II. Andante con moto e poco rubato (Arr. for Violin and Piano by Jascha Heifetz) being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Three Piano Preludes: II. No. 2 | Frederick Delius, Eric Parkin | F♯ Minor | 1 | 11A | 73 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Solitude (Arr. for Strings) | Duke Ellington, Neeme Järvi, Detroit Symphony Orchestra | E♭ Major | 0 | 5B | 94 BPM | ||
The Waltzing Cat | Leroy Anderson, Simon Tedeschi, Paul Mann, Melbourne Symphony Orchestra | G Major | 1 | 9B | 134 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM |
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