"Impressies bij Saul en David, On the tragic death of Saul" by Rachel Ann Morgan, Edward Witsenburg was released on May 1, 2005. The duration of Impressies bij Saul en David, On the tragic death of Saul is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Impressies bij Saul en David, On the tragic death of Saul's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rachel Ann Morgan's "King David and his harp, Handel, Ippolitov-Ivanov, Spier" album is number 22 out of 22. On top of that, France appears to be the country where this track was created. In terms of popularity, Impressies bij Saul en David, On the tragic death of Saul is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Impressies bij Saul en David, On the tragic death of Saul by Rachel Ann Morgan, Edward Witsenburg to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harp Concerto in G Major: I. Allegro | Georg Christoph Wagenseil, Andrea Vigh, Budapest Strings, Karoly Botvay | G Major | 0 | 9B | 75 BPM | ||
Christ lag in Todesbanden: IVd. Rittornello | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Poem: Arfon | Anonymous, Rachel Ann Morgan, Geraint Roberts | D♭ Major | 1 | 3B | 83 BPM | ||
Sechs deutsche Lieder, Opus 72: Nr. 1 Frühlingsglaube (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | F Major | 2 | 7B | 105 BPM | ||
Five Elizabethan Songs: II. Tears | Ivor Gurney, Jodie Devos, Nicolas Krüger | D♭ Minor | 0 | 12A | 79 BPM | ||
Mae hen wlad fy nhadau | Anonymous, Rachel Ann Morgan, Geraint Roberts | D♭ Major | 1 | 3B | 83 BPM | ||
Breuddwyd y frenhines, the queen's dream | Rachel Ann Morgan | A♭ Major | 0 | 4B | 82 BPM | ||
To Love | Irene Poldowski, Jodie Devos, Nicolas Krüger | F Minor | 0 | 4A | 102 BPM | ||
Les Roses D'Ispahan Op.39 N°4 (Leconte De Lisle) | Gabriel Fauré, Frederica von Stade | D Major | 1 | 10B | 108 BPM | ||
Tom Bowling | Charles Dibdin, Royal Philharmonic Orchestra | C Major | 0 | 8B | 98 BPM |
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