Manuel de Falla, Rick Stotijn, Lavinia Meijer made "7 Canciones populares Españolas (Arr. for Double Bass and Harp by Marijn van Prooijen): VI. Canción" available on January 1, 2014. With 7 Canciones populares Españolas (Arr. for Double Bass and Harp by Marijn van Prooijen): VI. Canción being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 14 in Basso Bailando by Rick Stotijn. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, 7 Canciones populares Españolas (Arr. for Double Bass and Harp by Marijn van Prooijen): VI. Canción is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 7 Canciones populares Españolas (Arr. for Double Bass and Harp by Marijn van Prooijen): VI. Canción by Manuel de Falla, Rick Stotijn, Lavinia Meijer is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
7 Canciones populares españolas (arr. P. Kochanski): No. 1. El pano moruno | Paul Kochanski, Manuel de Falla, Jesus Angel Leon, Miguel Angel Muñoz | B Minor | 2 | 10A | 110 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
Prelude in B minor | Johann Sebastian Bach/Alexander Siloti, James Rhodes | B Minor | 1 | 10A | 114 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Violin Concerto in D Major, Op. 35, TH. 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Nicola Benedetti, Czech Philharmonic Orchestra, Jakub Hrůša | G Major | 2 | 9B | 101 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
Granados: 12 Danzas españolas: No. 5, Andaluza | Enrique Granados, Manuel Barrueco | C Minor | 0 | 5A | 97 BPM |
Section: 0.6769614219665527
End: 0.6814842224121094