Gloria - London Symphony Orchestra Information

Acousticness
1%
Danceability
34%
Energy
72%
Instrumentalness
94%
Liveness
82%
Loudness
75%
Speechiness
4%
Valence
22%
Popularity
Loudness
-15.201 dB

Summary

London Symphony Orchestra's 'Gloria' came out on March 31, 2017. With Gloria being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Quarant'anni che ti amo". In this album, this song's track order is #15. Based on our statistics, Gloria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Gloria BPM

With Gloria by London Symphony Orchestra having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Gloria Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Imperial Suite by Michael GiacchinoThe Imperial SuiteMichael GiacchinoF Minor44A87 BPM
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie by Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-BruhlOverture (Suite) No. 2 in B Minor, BWV 1067: VII. BadinerieJohann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-BruhlB Minor310A131 BPM
Symphony No. 2: III. Adagio by Sergei Rachmaninoff, Valery Gergiev, London Symphony OrchestraSymphony No. 2: III. AdagioSergei Rachmaninoff, Valery Gergiev, London Symphony OrchestraA Major011B70 BPM
In Noctem by Nicholas HooperIn NoctemNicholas HooperC Minor15A64 BPM
Piano Concerto No. 1 in B Flat minor, Op.23 - I. Allegro non troppo e molto maestoso (opening) by Horacio Gutiérrez, London Symphony Orchestra, André PrevinPiano Concerto No. 1 in B Flat minor, Op.23 - I. Allegro non troppo e molto maestoso (opening)Horacio Gutiérrez, London Symphony Orchestra, André PrevinD♭ Major33B123 BPM
Prelude a l'apres-midi d'un faune, L. 86 by Claude Debussy, Valery Gergiev, London Symphony OrchestraPrelude a l'apres-midi d'un faune, L. 86Claude Debussy, Valery Gergiev, London Symphony OrchestraD♭ Major03B77 BPM
The Belt of Faith by jung jaeilThe Belt of Faithjung jaeilE Minor29A93 BPM
Prokofiev: Romeo and Juliet, Op. 64, Act 3, Epilogue: Death of Juliet by Sergei Prokofiev, André Previn, London Symphony OrchestraProkofiev: Romeo and Juliet, Op. 64, Act 3, Epilogue: Death of JulietSergei Prokofiev, André Previn, London Symphony OrchestraF Major07B84 BPM
Elgar: Variations on an Original Theme, Op. 36 Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. NimrodEdward Elgar, London Symphony Orchestra, Sir Adrian BoultE♭ Major15B70 BPM
End Credits - From End Credits - From "Pride & Prejudice" SoundtrackJean-Yves ThibaudetE♭ Major05B67 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6286182403564453

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