- BPM
- 148
- Key
- D Major
- Camelot
- 10B
Don Giovanni, K. 527: Deh, vieni alla finestra "Serenade" (Arr. M. Castelnuovo-Tedesco for Cello & Piano) - Wolfgang Amadeus Mozart, Brinton Averil Smith, Evelyn Chen Information
- Acousticness
- 99%
- Danceability
- 36%
- Energy
- 3%
- Instrumentalness
- 88%
- Liveness
- 11%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 41%
- Popularity
- 0%
- Loudness
- -26.763 dB
Summary
Wolfgang Amadeus Mozart, Brinton Averil Smith, Evelyn Chen made "Don Giovanni, K. 527: Deh, vieni alla finestra "Serenade" (Arr. M. Castelnuovo-Tedesco for Cello & Piano)" available on June 8, 2018. The duration of Don Giovanni, K. 527: Deh, vieni alla finestra "Serenade" (Arr. M. Castelnuovo-Tedesco for Cello & Piano) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Don Giovanni, K. 527: Deh, vieni alla finestra "Serenade" (Arr. M. Castelnuovo-Tedesco for Cello & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 10 in Castelnuovo-Tedesco: Cello Concerto & Transcriptions by Brinton Averil Smith, Evelyn Chen, Kazuki Yamada. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Don Giovanni, K. 527: Deh, vieni alla finestra "Serenade" (Arr. M. Castelnuovo-Tedesco for Cello & Piano)'s popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Don Giovanni, K. 527: Deh, vieni alla finestra "Serenade" (Arr. M. Castelnuovo-Tedesco for Cello & Piano) BPM
The tempo marking of Don Giovanni, K. 527: Deh, vieni alla finestra "Serenade" (Arr. M. Castelnuovo-Tedesco for Cello & Piano) by Wolfgang Amadeus Mozart, Brinton Averil Smith, Evelyn Chen is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
Don Giovanni, K. 527: Deh, vieni alla finestra "Serenade" (Arr. M. Castelnuovo-Tedesco for Cello & Piano) Key
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau | Johann Sebastian Bach, Hilary Hahn | E Major | 1 | 12B | 112 BPM | |
 | Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | |
 | Mozart: Requiem in D Minor, K. 626: IX. Domine Jesu Christe | Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Kurt Equiluz, Ortrun Wenkel, Rachel Yakar, Robert Holl, Nikolaus Harnoncourt, Concentus Musicus Wien | B Major | 1 | 1B | 86 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | |
 | Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | |
 | Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | |
 | Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act II No. 12: Arietta - Voi, che sapete | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | B♭ Major | 1 | 6B | 118 BPM | |
 | Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | |
 | Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | |
 | Davide penitente, K. 469: Si pur sempre benigno, oh Dio (Chorus) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 0 | 7A | 144 BPM |
- ISRC
- HKI191728104
- Label
- L-M Records/RCA Records
Section: 0.5781886577606201
End: 0.5818586349487305