Emmerich Kálmán, Grosses Operetten Orchester, Franz Marszalek made "The Gypsy Princess (Die Csárdásfürstin): "Csárdás"" available on January 1, 1993. With The Gypsy Princess (Die Csárdásfürstin): "Csárdás" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Emmerich Kálmán, Reinhold Bartel, Rita Bartos, Benno Kusche, Herta Talmar, Willi Hofmann, Renate Holm, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek's "Gräfin Mariza - Die Csárdásfürstin - Die Zirkusprinzessin" album is number 16 out of 32. Based on our statistics, The Gypsy Princess (Die Csárdásfürstin): "Csárdás"'s popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of The Gypsy Princess (Die Csárdásfürstin): "Csárdás" by Emmerich Kálmán, Grosses Operetten Orchester, Franz Marszalek to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wettrennen-galoppe, Op. 29a | Slovak Sinfonietta, Zilina, Johann Strauss I | D Major | 2 | 10B | 150 BPM | ||
La jolie fille de Gand: Scene 4 | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 134 BPM | ||
L'elisir d'amore: "Una furtiva lacrima" | Gaetano Donizetti, Konrad Leitner, Slowakische Philharmonie, Ramón Vargas | B♭ Minor | 4 | 3A | 84 BPM | ||
Lohengrin, WWV 75 / Act I: "Einsam in trüben Tagen" | Richard Wagner, Cheryl Studer, Hartmut Welker, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | A♭ Major | 0 | 4B | 82 BPM | ||
Der Fliegende Holländer: Summ und Brumm, du gutes Rädchen | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | A Major | 2 | 11B | 80 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Solche hergelaufne Laffen - Was bist du nur für ein Mensch! - Erst geköpft, dann gehangen - Remastered 2024 | Wolfgang Amadeus Mozart, Endre Koreh, Peter Klein, Walther Ludwig, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Feuerfest, Op. 269 | Josef Strauss, Wiener Philharmoniker, Willi Boskovsky | D Major | 5 | 10B | 94 BPM | ||
Die Csárdásfürstin: Act II: "Mädel, guck, Männer gibt's ja genug - Das ist die Liebe, die dumme Liebe" | Emmerich Kálmán, Hannerose Katterfeld, Martin Ritzmann, Dresdner Philharmonie, Heinz Rögner | B Major | 3 | 1B | 82 BPM | ||
Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
Yes!, Act I: Ouverture | Maurice Yvain, Les Frivolités Parisiennes | F Major | 1 | 7B | 83 BPM |
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