"26 Variations on "La Follia di Spagna" (1815): Coda (Adagio - allegro)" by Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan was released on January 1, 1996. With 26 Variations on "La Follia di Spagna" (1815): Coda (Adagio - allegro) being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Salieri: The 2 Piano Concertos etc.". In this album, this song's track order is #36. 26 Variations on "La Follia di Spagna" (1815): Coda (Adagio - allegro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 26 Variations on "La Follia di Spagna" (1815): Coda (Adagio - allegro) by Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Armida, Atto Secondo Scena 1: Qui'l regno è del contento (Armida, Rinaldo) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Lenneke Ruiten, Florie Valiquette | C Major | 2 | 8B | 85 BPM | ||
Das listige Bauernmädchen: No. 12, — | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: 2. Allegro moderato - Allegro deciso | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A♭ Major | 1 | 4B | 78 BPM | ||
Symphony in D Major, Op. 18, No. 2: III. Minuetto e trio | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 0 | 10B | 126 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | A Minor | 2 | 8A | 124 BPM |
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