The City of Prague Philharmonic Orchestra, Crouch End Festival Chorus's 'Mary's Boy Child' came out on October 30, 2015. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 41 in the song's album "The Greatest Christmas Choral Classics". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Mary's Boy Child's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mary's Boy Child by The City of Prague Philharmonic Orchestra, Crouch End Festival Chorus having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Ecstasy Of Gold - From "The Good, the Bad and the Ugly" | The City of Prague Philharmonic Orchestra | A Minor | 2 | 8A | 101 BPM | ||
End Titles | Rachel Portman | E Minor | 2 | 9A | 122 BPM | ||
Amar: Human Life | Armand Amar, The City of Prague Philharmonic Orchestra | F Minor | 1 | 4A | 120 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
Ballroom Waltz | Moscow Symphony Orchestra, William T. Stromberg | F Major | 2 | 7B | 97 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Marriage of Figaro | Jeff String | C Minor | 4 | 5A | 138 BPM | ||
Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | ||
Far from the Madding Crowd Love Theme | Craig Armstrong | A Minor | 3 | 8A | 87 BPM | ||
Reunion | Burkhard Dallwitz | E♭ Major | 2 | 5B | 111 BPM |
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