"Concerto grosso in G Minor, Op. 3/2, RV. 578: I. Adagio e spiccato" by Antonio Vivaldi, Simon Standage, Michaela Comberti, Jaap Ter Linden, The English Concert, Trevor Pinnock was released on July 30, 2022. With Concerto grosso in G Minor, Op. 3/2, RV. 578: I. Adagio e spiccato being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 176 in BBQ Night with Vivaldi by Antonio Vivaldi, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Concerto grosso in G Minor, Op. 3/2, RV. 578: I. Adagio e spiccato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto grosso in G Minor, Op. 3/2, RV. 578: I. Adagio e spiccato by Antonio Vivaldi, Simon Standage, Michaela Comberti, Jaap Ter Linden, The English Concert, Trevor Pinnock is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
Concerto for Oboe and Bassoon in G Major, RV 545: II. Largo | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | D Major | 0 | 10B | 83 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Concerto In D Minor For 2 Violins, Strings & Continuo, RV 514: 3. Allegro molto | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | D Minor | 3 | 7A | 141 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Camerata Nordica, Terje Tonnesen | A Major | 0 | 11B | 84 BPM | ||
Les Indes galantes, RCT 44 / Entrée IV: Danse des sauvages | Jean-Philippe Rameau, Daniel Hope, Michael Metzler, Zürcher Kammerorchester | G Minor | 3 | 6A | 107 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM |
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