Freddy Quinn's 'Unter fremden Sternen / Fährt ein weißes Schiff nach Hongkong / Es kommt der Tag da will man in die Fremde' came out on September 1, 1991. The duration of Unter fremden Sternen / Fährt ein weißes Schiff nach Hongkong / Es kommt der Tag da will man in die Fremde is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Unter fremden Sternen / Fährt ein weißes Schiff nach Hongkong / Es kommt der Tag da will man in die Fremde's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Freddy Quinn's "Heimweh, die Gitarre und das Meer" album is number 4 out of 16. On top of that, Germany appears to be the country where this track was created. Unter fremden Sternen / Fährt ein weißes Schiff nach Hongkong / Es kommt der Tag da will man in die Fremde is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Unter fremden Sternen / Fährt ein weißes Schiff nach Hongkong / Es kommt der Tag da will man in die Fremde by Freddy Quinn to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Immer wenn ich Josy seh' | Peter Orloff | A Minor | 8 | 8A | 112 BPM | ||
Geh nicht vorbei - Remastered 2005 | Christian Anders | G Major | 5 | 9B | 91 BPM | ||
Himmelblaue Serenade | Margot Eskens, Silvio Francesco | B♭ Major | 3 | 6B | 113 BPM | ||
Mamatschi | Margot Eskens | G Major | 2 | 9B | 131 BPM | ||
Sie hiess Mary Ann | Ralf Bendix | A Major | 5 | 11B | 73 BPM | ||
Wenn es Nacht wird in Harlem | Manuela | D Major | 4 | 10B | 98 BPM | ||
Das Haus in New Orleans | Bruce Low | F Major | 5 | 7B | 96 BPM | ||
Nichts haut mich um - aber du | Daliah Lavi | F♯ Minor | 8 | 11A | 134 BPM | ||
Dann heirat' doch dein Büro | Katja Ebstein | F Major | 8 | 7B | 138 BPM | ||
Cora komm nach haus | Peter Orloff | B Major | 8 | 1B | 127 BPM |
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