Mark Chesnutt, George Jones made "Talking To Hank" available on January 1, 1992. The duration of Talking To Hank is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Talking To Hank's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mark Chesnutt's "Longnecks & Short Stories" album is number 8 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, Talking To Hank's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Talking To Hank by Mark Chesnutt, George Jones to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ten Years of This | Gary Stewart | B♭ Major | 5 | 6B | 116 BPM | ||
Uptown Downtown (Misery's All The Same) | Mark Chesnutt | B Major | 6 | 1B | 131 BPM | ||
The Church On Cumberland Road | Shenandoah | B♭ Major | 8 | 6B | 150 BPM | ||
We Go Together | Tammy Wynette, George Jones | A Major | 5 | 11B | 98 BPM | ||
The Tracks You Left on Me | Ed Bruce | B Major | 5 | 1B | 131 BPM | ||
We Can't All Be Angels - From "Black Dog" Soundtrack | David Lee Murphy | C Major | 8 | 8B | 113 BPM | ||
Paper Rosie | Gene Watson | A♭ Major | 6 | 4B | 110 BPM | ||
My Baby's Got Good Timing | Dan Seals | A♭ Major | 4 | 4B | 114 BPM | ||
High Cotton | Alabama | F Major | 6 | 7B | 91 BPM | ||
Was It 26 | The Charlie Daniels Band | G Major | 4 | 9B | 79 BPM |
Section: 0.5542573928833008
End: 0.5584440231323242