Christine Baranski, Cleve Asbury, Shaun Amyot, Rick Negron, Taye Diggs made "We Both Reached For The Gun" available on January 1, 2001. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Music From The Miramax Motion Picture Chicago" album is number 6 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, We Both Reached For The Gun's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of We Both Reached For The Gun by Christine Baranski, Cleve Asbury, Shaun Amyot, Rick Negron, Taye Diggs to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matchmaker | John Williams, Rosalind Harris, Michele Marsh, Neva Small, "Fiddler On The Roof” Motion Picture Orchestra | F♯ Minor | 2 | 11A | 105 BPM | ||
Partner in Crime | Andrew Keenan-Bolger, Sarah Charles Lewis, Tuck Everlasting Original Broadway Cast Ensemble | D Major | 5 | 10B | 116 BPM | ||
Love Thy Neighbor | Andrew Rannells, Nathaniel J. Potvin, Nico Greetham, Logan Riley, Sofia Deler, The Prom Ensemble | G Major | 9 | 9B | 119 BPM | ||
Thank Goodness - From "Wicked" Original Broadway Cast Recording/2003 | Stephen Schwartz, Kristin Chenoweth, Carole Shelley, Stephen Oremus, Alex Lacamoire | E♭ Major | 3 | 5B | 148 BPM | ||
The Kite | Anthony Rapp | A♭ Major | 4 | 4B | 75 BPM | ||
I'd Do Anything | Sally Dexter, Rosalind James, Adam Searles, Gregory Bradley, Jonathan Pryce | D Minor | 2 | 7A | 83 BPM | ||
Queenie Was a Blonde | Julia Murney, Brian D'Arcy James, The Wild Party Ensemble | C Minor | 6 | 5A | 127 BPM | ||
Not While I'm Around | Edward Sanders, Helena Bonham Carter | F Major | 2 | 7B | 89 BPM | ||
Pulled | Krysta Rodriguez, Adam Riegler | C Major | 5 | 8B | 125 BPM | ||
When You're Good to Mama | Marcia Lewis, David Warren-Gibson | D♭ Major | 2 | 3B | 80 BPM |
Section: 0.5746464729309082
End: 0.5781681537628174