Ingolf Dahl, Victor Gottlieb, Mitchell Lurie, Eudice Shapiro's 'Concerto for Clarinet, Violin & Cello "Concerto a Tre" - Remastered' came out on January 12, 1953. Concerto for Clarinet, Violin & Cello "Concerto a Tre" - Remastered appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Schumann: String Quartet No. 4 - Dahl: Concerto for Clarinet, Violin & Cello "Concerto a Tre" (Remastered)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Concerto for Clarinet, Violin & Cello "Concerto a Tre" - Remastered is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concerto for Clarinet, Violin & Cello "Concerto a Tre" - Remastered by Ingolf Dahl, Victor Gottlieb, Mitchell Lurie, Eudice Shapiro having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for Six Brass Instruments: I. Chorale fantasy | Ingolf Dahl, Center City Brass Quintet | A Minor | 0 | 8A | 73 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): V. Floret silva nobilis (The noble forest) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | G Major | 0 | 9B | 92 BPM | ||
Suite of Old American Dances: IV. Wallflower Waltz | Robert Russell Bennett, Lone Star Wind Orchestra, Eugene Migliaro Corporon | F Major | 0 | 7B | 133 BPM | ||
Variations on a Korean Folk Song: II. Vivace | John Barnes Chance, Illinois State University Wind Symphony, Stephen Steele | D♭ Major | 1 | 3B | 112 BPM | ||
Suite française : I. Normandie | Gérard Besse, Denis Fourio, Big Band des équipages de la flotte de Toulon | B♭ Major | 3 | 6B | 128 BPM | ||
Lincolnshire Posy: V. Lord Melbourne | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | C Major | 1 | 8B | 103 BPM | ||
Symfonietta, JW VI/18: I. Allegretto | Leoš Janáček, Prague Radio Symphony Orchestra, Tomáš Netopil | D♭ Major | 3 | 3B | 62 BPM | ||
Yiddish Dances: II. Terkishe. Allegro molto | Adam Gorb, Royal Northern College Of Music Wind Orchestra, Clark Rundell | F Major | 2 | 7B | 102 BPM | ||
Willisabethan Sarahnade: My Yorker | Klaus Wallendorf, Sarah Willis, Kotowa Machida, Philip Mayers | F Major | 0 | 7B | 117 BPM | ||
A Duet For Our Time: Of Anguish | Columbus State University Trombone Ensemble, Bill Thomas, George Curran | B Minor | 0 | 10A | 71 BPM |
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