"Sei Du Mein Trost Kv 391" by Edith Mathis was released on 1986. The duration of Sei Du Mein Trost Kv 391 is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Sei Du Mein Trost Kv 391's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 39 in Edith Mathis: Lieder by Karl Engel. In terms of popularity, Sei Du Mein Trost Kv 391 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sei Du Mein Trost Kv 391 by Edith Mathis is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Sea Pictures, Op. 37: No. 1, Sea Slumber-Song | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Minor | 3 | 5A | 133 BPM | ||
Gesang der Konigin Maria Stuart auf den Tod Franz' II | Carl Loewe, Edith Mathis, Cord Garben | D Major | 1 | 10B | 74 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
St. Matthew Passion, BWV. 244 / Pt. 1: No. 33 "So ist mein Jesus nun gefangen" | Johann Sebastian Bach, Edith Mathis, Janet Baker, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor, Regensburger Domspatzen, Georg Ratzinger | E Minor | 2 | 9A | 68 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Jascha Heifetz, Sir Malcolm Sargent | E Minor | 0 | 9A | 96 BPM | ||
Vier Duette, Op. 61: 1. Die Schwestern | Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Karl Engel | G Minor | 1 | 6A | 104 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Franz Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 125 BPM | ||
Liebeslieder-Walzer, Op.52 - Verses From "Polydora": 13. Vögelein durchrauscht die Luft | Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Karl Engel, Wolfgang Sawallisch | A♭ Major | 1 | 4B | 73 BPM | ||
Rinaldo, HWV 7: "Lascia ch'io pianga" | Yvonne Kenny | E Major | 1 | 12B | 170 BPM |
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