"Ni Slova O Drug Moy (Not a Word, My Friend) Op. 6, No. 2" by Pyotr Ilyich Tchaikovsky, Nicolai Ghiaurov, Zlatina Ghiaurov was released on 1972. The duration of Ni Slova O Drug Moy (Not a Word, My Friend) Op. 6, No. 2 is about 3 minutes long, at 3:23. Based on our data, "Ni Slova O Drug Moy (Not a Word, My Friend) Op. 6, No. 2" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "Nicolai Ghiaurov Sings Russian Songs And Arias". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Ni Slova O Drug Moy (Not a Word, My Friend) Op. 6, No. 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ni Slova O Drug Moy (Not a Word, My Friend) Op. 6, No. 2 by Pyotr Ilyich Tchaikovsky, Nicolai Ghiaurov, Zlatina Ghiaurov having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz No. 19 in A minor, Op. posth. | Frédéric Chopin, Peter Jablonski | A Minor | 0 | 8A | 69 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
La fille mal gardée (Rev. Lanchbery), Act I: No. 17a, Clog Dance | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | G Minor | 1 | 6A | 130 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
The Moldau (Vlatava), No. 2 | Bedřich Smetana, Leopold Stokowski | E Major | 2 | 12B | 99 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Nocturne No. 2 In E Flat, Op. 9 No. 2 | Frédéric Chopin, Maurizio Pollini | B♭ Major | 0 | 6B | 133 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
3rd Movement: Scherzo | London Philharmonic Orchestra | C Major | 1 | 8B | 118 BPM | ||
Suite Bergamasque, L. 75: III. Clair de lune (Andante très expressif) | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 67 BPM |
Section: 0.7244484424591064
End: 0.7280967235565186