Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's 'Pièces de viole du Quatrième Livre, suite d’un goût étranger: Marche, IV. 83 (1711)' came out on September 27, 2011. The duration of Pièces de viole du Quatrième Livre, suite d’un goût étranger: Marche, IV. 83 (1711) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Pièces de viole du Quatrième Livre, suite d’un goût étranger: Marche, IV. 83 (1711)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 19 out of 83. On top of that, United States appears to be the country where this track was created. In terms of popularity, Pièces de viole du Quatrième Livre, suite d’un goût étranger: Marche, IV. 83 (1711) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Pièces de viole du Quatrième Livre, suite d’un goût étranger: Marche, IV. 83 (1711) by Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM | ||
Corriente Dicha la Cuella | Andrea Falconieri, Erik Bosgraaf, Izhar Elias, Alessandro Pianu | E Major | 4 | 12B | 134 BPM | ||
Viola da Gamba Suite in D Major: VI. Adagio | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 98 BPM | ||
Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait) | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Minor | 0 | 8A | 129 BPM | ||
Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
Suite in F Major: VI. Gigue | Louis Couperin, Laurence Cummings | E Major | 3 | 12B | 172 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
Viola da gamba Sonata in D Major, A2:50: III. Allegro | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | D♭ Major | 3 | 3B | 97 BPM | ||
Libro quarto d'intavolatura di chitarone: No. 1, Toccata prima | Giovanni Girolamo Kapsberger, Rolf Lislevand, Eduardo Egüez, Brian Feehan, Lorenz Duftschmid | D Minor | 1 | 7A | 113 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM |
Section: 0.7583732604980469
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