Charles Gerhardt, National Philharmonic Orchestra's 'Invitation à la valse op. 65' came out on June 5, 2020. The duration of Invitation à la valse op. 65 is about 3 minutes long, at 3:00. Based on our data, "Invitation à la valse op. 65" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 47 in the song's album "The Most Beautiful Waltz Music". In this album, this song's track order is #6. In terms of popularity, Invitation à la valse op. 65 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Invitation à la valse op. 65 by Charles Gerhardt, National Philharmonic Orchestra having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Short Suite: Aria | David Lyon, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 75 BPM | ||
The Irish Washerwoman | Leroy Anderson, Simon Tedeschi, Paul Mann, Melbourne Symphony Orchestra | A Major | 3 | 11B | 78 BPM | ||
Pomp And Circumstance March No 4 | Edward Elgar, Royal Philharmonic Orchestra, Robin Stapleton | G Major | 3 | 9B | 108 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
March funèbre d'une marionette | Charles Gounod, Yan Pascal Tortelier, BBC Philharmonic | D Major | 0 | 10B | 110 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Symphony No. 8 in G, Op. 88: 3. Allegretto grazioso - Molto vivace | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | G Major | 2 | 9B | 77 BPM | ||
Tausendsapperment-Walzer, Op. 61 | Johann Strauss I, Slovak Sinfonietta Zilina, Christian Pollack | E Major | 1 | 12B | 173 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
The Dancing Years: Waltz Of My Heart | Ivor Novello, Orchestra, James Shearman | E♭ Major | 1 | 5B | 76 BPM |
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