Alessandro Stradella, Jürgen Schuster, Cologne Chamber Orchestra, Helmut Muller-Bruhl's 'Sonata in D Major a 8 viole con una tromba: III. Canzona' came out on August 26, 1999. With Sonata in D Major a 8 viole con una tromba: III. Canzona being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Roman Christmas: Italian Concertos and Cantatas". In this album, this song's track order is #3. Sonata in D Major a 8 viole con una tromba: III. Canzona is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata in D Major a 8 viole con una tromba: III. Canzona by Alessandro Stradella, Jürgen Schuster, Cologne Chamber Orchestra, Helmut Muller-Bruhl having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rameau: Les Boréades, Act 4: Entrée | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 84 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM | ||
La Doriclea, Atto Terzo Scena 3: Nel mar del mio pianto (Celindo) | Alessandro Stradella, Luca Cervoni, Il Pomo D'oro, Andrea De Carlo | D Minor | 2 | 7A | 107 BPM | ||
Concerto in D Major, Op. 6 No. 1: I. Largo - Allegro | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | D♭ Major | 1 | 3B | 118 BPM | ||
The Indian Queen, Z. 630 : Act III - Trumpet Overture | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | D♭ Major | 1 | 3B | 112 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Minor | 0 | 8A | 90 BPM | ||
Flute Concerto No. 2 in C Minor: I. Prelude - Lentement | Michel Pignolet de Montéclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D♭ Major | 0 | 3B | 79 BPM | ||
Sinfonia to Santa Beatrice d'Este in D Minor, WoO 1: I. Grave | Arcangelo Corelli, Freiburger Barockorchester, Gottfried Von Der Goltz | F♯ Minor | 2 | 11A | 107 BPM | ||
Abdelazar Suite, Z. 570: I. Overture | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Violin Concerto in D Major, FWV L:D4a: Violin Concerto in D Major, FWV L:D4a: I. Allegro | Johann Friedrich Fasch, Johannes Pramsohler, Darmstädter Barocksolisten | D Major | 3 | 10B | 103 BPM |
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