"「最果ての地」" by 柴田真郁, Tokyo Symphony Orchestra, 東響コーラス, 末永匡 was released on March 9, 2019. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Music 4Gamer #2 「ワンダと巨像」ピアノ&オーケストラコンサート" album is number 10 out of 14. In terms of popularity, 「最果ての地」 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 「最果ての地」 by 柴田真郁, Tokyo Symphony Orchestra, 東響コーラス, 末永匡 to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
混声合唱とオーケストラのための組曲夢の意味, 2. 川沿いの道にて | 上田真樹, Traditional, Norichika Iimori, 東京混声合唱, Tokyo Symphony Orchestra | B Major | 0 | 1B | 160 BPM | ||
A Yearning for the Sky | Gareth Coker | A Minor | 0 | 8A | 90 BPM | ||
Nabucco, Part I, Scene 6: "Viva Nabucco!" (Abigaille, Zaccaria, Ismaele, Chorus) | Giuseppe Verdi, Maria Guleghina, Fabio Armiliato, Ferrucio Furlanetto, Tokyo Opera Singers, Tokyo Symphony Orchestra, Daniel Oren | D Major | 1 | 10B | 139 BPM | ||
「巨像の気配」~「異形の者達~巨像との戦い~」~「開かれる道~巨像との戦い~」~「戦いの終り」~「偶像崩壊」(メドレー) | 柴田真郁, Tokyo Symphony Orchestra, 東響コーラス, 末永匡 | A Minor | 3 | 8A | 79 BPM | ||
混声合唱とオーケストラのためのカンタータ「土の歌」第6楽章:地上の祈り | 岩城宏之, 東京混声合唱団, Tokyo Symphony Orchestra | D Major | 1 | 10B | 82 BPM | ||
Kaguya's Departure | T’s MUSIC | E♭ Major | 2 | 5B | 79 BPM | ||
Night in the Brume | 祖堅 正慶 | B♭ Major | 0 | 6B | 136 BPM | ||
「湖畔」 | 柴田真郁, 末永匡, Tokyo Symphony Orchestra | C Minor | 0 | 5A | 76 BPM | ||
Symphony No. 3, Op. 75: IV. Finale: Andante sostenuto - Allegro molto | Takashi Yoshimatsu, Keitaro Harada, Tokyo Symphony Orchestra | C Minor | 1 | 5A | 77 BPM | ||
The Awakening | Akira Senju | F Minor | 4 | 4A | 200 BPM |
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