"Con amores, la mi madre" by Maria Bayo, J.A. Alvarez-Parejo was released on January 1, 1992. With Con amores, la mi madre being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 33 in Canciones Españolas by Maria Bayo & J.A. Alvarez-Parejo. Con amores, la mi madre is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Con amores, la mi madre by Maria Bayo, J.A. Alvarez-Parejo is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM | ||
Combat Del Somni: Aquesta Nit Un Mateix Vent | Federico Mompou, Maria Bayo, Orquesta Sinfónica de Navarra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 115 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Bohemios: Coro de Bohemios | Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna, Coral Universitaria De La Laguna, Coral "reyes Bartlet" De Puerto De La Cruz | A♭ Major | 4 | 4B | 124 BPM | ||
La Calisto, Act III Scene 4: "Mio foco fatale" (Giove) | Francesco Cavalli, René Jacobs, Marcello Lippi, Maria Bayo, Simon Keenlyside, Concerto Vocale | D Minor | 1 | 7A | 94 BPM | ||
7 Canciones Populares Españolas: Seguidilla murciana | Teresa Berganza, Juan Antonio Alvares Parejo | F Major | 1 | 7B | 90 BPM | ||
Doña Francisquita: Coro de Románticos | Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna | E♭ Major | 1 | 5B | 101 BPM | ||
I Capuleti e i Montecchi: Oh! quante volte ti chiedo | Vincenzo Bellini, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy | G Minor | 0 | 6A | 78 BPM | ||
Poema En Forma De Canciones: Las Locas Por Amor | Joaquín Turina, Maria Bayo, Orquesta Sinfónica de Navarra, Ernest Martinez Izquierdo | E Major | 3 | 12B | 62 BPM | ||
Lo fiolairé | Joseph Canteloube, Maria Bayo, Orquesta Sinfonica De Tenerife, Victor Pablo Pérez | G Minor | 2 | 6A | 71 BPM |
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