Claude Debussy, Michel Béroff's 'Children's Corner: III. Serenade for the Doll (Serenade a la Poupee)' came out on January 1, 2009. The duration of Children's Corner: III. Serenade for the Doll (Serenade a la Poupee) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Children's Corner: III. Serenade for the Doll (Serenade a la Poupee)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 22 in Debussy: Préludes Premier Livre, Children's Hour & Others by Claude Debussy, Michel Béroff. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, Children's Corner: III. Serenade for the Doll (Serenade a la Poupee) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Children's Corner: III. Serenade for the Doll (Serenade a la Poupee) by Claude Debussy, Michel Béroff is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
Nocturne en mi bémol majeur opus 9 n°2: Ballade en Sol Mineur No.1 | Frédéric Chopin, Luis Fernando Pérez | E♭ Major | 0 | 5B | 61 BPM | ||
24 Préludes, Op. 28: No.4 in E minor - Largo | Frédéric Chopin, Alexandre Tharaud | F Major | 0 | 7B | 111 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Jenő Jandó | B♭ Major | 0 | 6B | 78 BPM | ||
Sicilienne | Gabriel Fauré, Cocomi, Miloš Karadaglić | E♭ Major | 0 | 5B | 140 BPM |
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