Vadim Brodski, Warsaw Philharmonic Orchestra's 'The Fool on the Hill (arr. V. Brodski for violin and orchestra)' came out on August 1, 2013. The duration of The Fool on the Hill (arr. V. Brodski for violin and orchestra) is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. The Fool on the Hill (arr. V. Brodski for violin and orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Beatles". In this album, this song's track order is #13. Based on our statistics, The Fool on the Hill (arr. V. Brodski for violin and orchestra)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Fool on the Hill (arr. V. Brodski for violin and orchestra) by Vadim Brodski, Warsaw Philharmonic Orchestra having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gardel: Por una cabeza | Carlos Gardel, Camille Berthollet | G Major | 1 | 9B | 105 BPM | ||
Recuerdos De La Alhambra - Francisco Tarrega | Robert Westaway | A Major | 2 | 11B | 124 BPM | ||
Liszt: Consolation No.3 in D Flat major | Daniel Pollack | D♭ Major | 0 | 3B | 74 BPM | ||
Air On G String Second Movement From Orchestral Suite No. 3 In D Major, Bwv 1068 | Anna Moor, Lana Ross, Andrei Krylov | D Major | 1 | 10B | 165 BPM | ||
Canon & Gigue in D | Paquito De Oliveira | D♭ Major | 0 | 3B | 114 BPM | ||
Vals de "Coppelia" | Gran Orquesta Vienesa | E♭ Major | 2 | 5B | 69 BPM | ||
Clarinet Concerto in A Major, K. 622: II. Adagio | Grupo Pedagógico Infantil Arco Iris | D Major | 0 | 10B | 79 BPM | ||
Symphony No. 40 in G Minor, KV. 550: I. Molto allegro | SWF Symphony Orchestra Baden-Baden | G Minor | 2 | 6A | 105 BPM | ||
Message From The Moon | Takako Nishizaki, Shanghai Philharmonic Orchestra | B♭ Minor | 2 | 3A | 158 BPM | ||
Voices of Spring | The New 101 Strings Orchestra | F Major | 1 | 7B | 183 BPM |
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