"Pietà: IV. Eia mater, fons amoris" by Richard Blackford, Jennifer Johnston, Amy Dickson, Stephen Gadd, Gavin Carr, Bournemouth Symphony Orchestra was released on January 3, 2020. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 10 in Blackford: Pietà by Richard Blackford, Amy Dickson, Jennifer Johnston, Stephen Gadd, Gavin Carr, Bournemouth Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Pietà: IV. Eia mater, fons amoris's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pietà: IV. Eia mater, fons amoris by Richard Blackford, Jennifer Johnston, Amy Dickson, Stephen Gadd, Gavin Carr, Bournemouth Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Variations - 'The Seeds Long Hidden': Variation 5 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM | ||
A Child of our Time, Part I: The Argument. Man has measured the heavens with a telescope (Alto) | Michael Tippett, Sarah Connolly, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
4 Lieder, Op. 27, TrV 170: No. 4, Morgen! (Version for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | G Major | 0 | 9B | 82 BPM | ||
Piano Concerto No. 1 "Scapegoat": Molto lento | George Lloyd, Martin Roscoe, BBC Philharmonic | A Minor | 1 | 8A | 85 BPM | ||
Vision of a Garden: I. The Nursing Staff | Richard Blackford, The Bach Choir, Philharmonia Orchestra, David Hill | A♭ Minor | 2 | 1A | 108 BPM | ||
A Child of our Time, Part III: Preludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Third Movement Moderate Pesante | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | G Minor | 1 | 6A | 79 BPM | ||
Gymnopédie No. 3 | Erik Satie, Louis Lane, The Cleveland Orchestra | A Minor | 0 | 8A | 75 BPM | ||
Les 7 paroles du Christ: 5e Parole - "Sitio" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Minor | 1 | 3A | 141 BPM | ||
And Tired From Happiness, They Started to Dance: II. Motion of Waiting | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | A Minor | 1 | 8A | 117 BPM |
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