The Robot Ate Me's 'Good World #2' came out on 2006. The duration of Good World #2 is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Good World #2's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Robot Ate Me's "Good World" album is number 15 out of 17. On top of that, United States appears to be the country where this track was created. Based on our statistics, Good World #2's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Good World #2 by The Robot Ate Me to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Key | Øneironaut, Alessandro Penna | B♭ Minor | 1 | 3A | 54 BPM | ||
Rosado | Isla Saturno, Criosphera, Sr. Maniqui | D Minor | 3 | 7A | 90 BPM | ||
As the Land Lay | The Robot Ate Me | D Minor | 0 | 7A | 206 BPM | ||
De reojo y sin oídos - Instrumental Version | Don Pablo Mbaraka'i | C Major | 2 | 8B | 120 BPM | ||
Old People | Luke Syrnick | B♭ Major | 1 | 6B | 120 BPM | ||
Sunny Door | Rodolfo Pazzi | F Major | 4 | 7B | 97 BPM | ||
Reversing Into Tomorrow, part 4 | Ann Margaret Hogan, Regis | D Major | 3 | 10B | 86 BPM | ||
Subaru | Tashi Wada, Julia Holter | A♭ Major | 1 | 4B | 55 BPM | ||
Soundless | Manuel Ortegas | G Major | 3 | 9B | 77 BPM | ||
Candlelit Jazz Affection | Jordan Silverton | F♯ Minor | 0 | 11A | 108 BPM |
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