Mary Goes to Jesus
John Debney, Ron Allen, Chris Bleth, Nick Ingman & His Orchestra, Nick Ingman
The Passion Of The Christ - Original Motion Picture Soundtrack
2:47 December 8, 2003
BPM
92
Key
F Minor
Camelot
4A

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Mary Goes to Jesus - John Debney, Ron Allen, Chris Bleth, Nick Ingman & His Orchestra, Nick Ingman Information

Acousticness
79%
Danceability
11%
Energy
11%
Instrumentalness
90%
Liveness
16%
Loudness
64%
Speechiness
4%
Valence
4%
Popularity
Loudness
-21.755 dB

Summary

"Mary Goes to Jesus" by John Debney, Ron Allen, Chris Bleth, Nick Ingman & His Orchestra, Nick Ingman was released on December 8, 2003. The duration of Mary Goes to Jesus is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Mary Goes to Jesus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Passion Of The Christ - Original Motion Picture Soundtrack". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Mary Goes to Jesus is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mary Goes to Jesus BPM

With Mary Goes to Jesus by John Debney, Ron Allen, Chris Bleth, Nick Ingman & His Orchestra, Nick Ingman having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Mary Goes to Jesus Key

This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

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ISRC
USSM10400937
Label
L-M Records/RCA Records

Section: 0.5738015174865723

End: 0.578718900680542