Benjamin Britten, Toronto Children's Chorus made "Selections From Friday Afternoons, Op.7 - A New Year Carol" available on 1991. The duration of Selections From Friday Afternoons, Op.7 - A New Year Carol is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Selections From Friday Afternoons, Op.7 - A New Year Carol's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Benjamin Britten, Toronto Children's Chorus's "Mostly Britten" album is number 4 out of 37. On top of that, Canada appears to be the country where this track was created. Selections From Friday Afternoons, Op.7 - A New Year Carol is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Selections From Friday Afternoons, Op.7 - A New Year Carol by Benjamin Britten, Toronto Children's Chorus to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sommerfugledalen: II. I Brajčinodalens middagshede luft | Phillip Faber, DR PigeKoret, Kirstine Futtrup, Idinna Lutzhøft, Eva Katrine Dalsgaard, Mihai Fagarasan, Unknown Artist | C Major | 1 | 8B | 113 BPM | ||
Sing and Rejoice | The International Staff Songsters of the Salvation Army | C Major | 3 | 8B | 161 BPM | ||
Mass in D Major, Op. 86, B. 153: IV. Sanctus | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 2 | 10B | 140 BPM | ||
O Valiant Hearts | Charles Harris, The Chapel Choir of the Royal Hospital Chelsea, Chelsea Pensioners, Hugh Rowlands, William Vann | E♭ Major | 1 | 5B | 106 BPM | ||
Serenade for tenor, horn & strings, Op.31: Hymn - Queen and Huntress Chaste and Fair | Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra | B♭ Major | 3 | 6B | 78 BPM | ||
Funeral Ikos | John Tavener, Owain Park, The Gesualdo Six | A♭ Major | 1 | 4B | 73 BPM | ||
How Can I Keep from Singing? | The Biralee Blokes, Ashreya Ward, Justine Favell, Paul Holley | A♭ Major | 1 | 4B | 123 BPM | ||
MASS: No. 7, Prayer for the Congregation "Almighty Father" | Leonard Bernstein, Wiener Singakademie, Unknown Artist, Dennis Russell Davies | C Major | 0 | 8B | 131 BPM | ||
Does Jesus Care | Jakarta Oratorio Society | A Minor | 2 | 8A | 95 BPM | ||
Symphony for Cello & Orchestra, Op. 68: II. Presto inquieto | Benjamin Britten, Baltimore Symphony Orchestra, Yo-Yo Ma, David Zinman | G Major | 1 | 9B | 95 BPM |
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