Mel Tillis made "Ode To The Little Brown Shack Out Back" available on 2005. The duration of Ode To The Little Brown Shack Out Back is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Ode To The Little Brown Shack Out Back's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 9 in At His Best by Mel Tillis. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Ode To The Little Brown Shack Out Back is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ode To The Little Brown Shack Out Back by Mel Tillis is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don't Squeeze My Sharmon | Charlie Walker | F Major | 5 | 7B | 180 BPM | ||
Born To Be With You | Sonny James | D Major | 6 | 10B | 147 BPM | ||
Houston (Means I'm One Day Closer To You) | Larry Gatlin & The Gatlin Brothers | B Minor | 5 | 10A | 149 BPM | ||
Still | Bill Anderson | A♭ Major | 1 | 4B | 95 BPM | ||
You Make Me Feel More Like A Man | MEL STREET | A Major | 5 | 11B | 101 BPM | ||
Drinkin' Thing | Gary Stewart | F Major | 4 | 7B | 104 BPM | ||
Somewhere Between Right and Wrong | Earl Thomas Conley | A Major | 8 | 11B | 136 BPM | ||
Ruben James | Henson Cargill | G Major | 6 | 9B | 92 BPM | ||
Don't Lead Me On | MEL STREET | A Major | 3 | 11B | 107 BPM | ||
Walk Softly On The Bridges | MEL STREET | F Major | 5 | 7B | 108 BPM |
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