Antoine Reicha, Ivan Ilic's ' "Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 11, Poco Allegretto" was released on its scheduled release date, September 1, 2018. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Reicha Rediscovered, Vol. 2". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 11, Poco Allegretto's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 11, Poco Allegretto by Antoine Reicha, Ivan Ilic having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento in F Major, K.247, Lodron Night Music No. 1: III. Menuetto | Wolfgang Amadeus Mozart, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | F Major | 0 | 7B | 85 BPM | ||
English Suite No. 3 in G Minor, BWV 808: IV. Sarabande – Les agréments de la même sarabande | Johann Sebastian Bach, Angela Hewitt | C Minor | 0 | 5A | 115 BPM | ||
Sonata for Keyboard and Violin in D Major, K. 7: III. Menuet I-II | Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien | A Major | 1 | 11B | 109 BPM | ||
Lamento No. 1 | João Marcondes, O Imprevisível Núcleo de Compositores | C Major | 1 | 8B | 169 BPM | ||
Symphony in G Major, Eisen G8: II. Andante | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | G Minor | 0 | 6A | 111 BPM | ||
Masques et Bergamasques, Op. 112: III. Gavotte | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 0 | 10B | 96 BPM | ||
Concerto in D Major for Trumpet, 2 Horns, Strings and B.C.: II. Allegro Moderato | Leopold Mozart, Andre Schoch, Stuttgart Chamber Orchestra | D Major | 2 | 10B | 100 BPM | ||
交響曲 第40番 K.550~第3楽章 | リボル・ペシェック, Czech National Symphony Orchestra | G Major | 1 | 9B | 153 BPM | ||
Overture in 8 Parts, Op. 5 No. 6: II. Andante | William Smethergell, Südwestdeutsches Kammerorchester Pforzheim, Douglas Bostock | G Major | 1 | 9B | 73 BPM |