William Lloyd Webber, Kenneth Smith, Paul Rhodes's 'Country Impressions (arr. K. Smith for flute and piano): II. Frensham Pond' came out on October 29, 2013. The duration of Country Impressions (arr. K. Smith for flute and piano): II. Frensham Pond is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Country Impressions (arr. K. Smith for flute and piano): II. Frensham Pond's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "The Expressive Voice of the Flute". In this album, this song's track order is #7. Country Impressions (arr. K. Smith for flute and piano): II. Frensham Pond is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Country Impressions (arr. K. Smith for flute and piano): II. Frensham Pond by William Lloyd Webber, Kenneth Smith, Paul Rhodes having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Major | 1 | 7B | 95 BPM | ||
Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
String Quartet No. 2 in A Minor: II. Andante cantabile (Arr. Colbert for String Ensemble) | Florence Beatrice Price, Sphinx Virtuosi | E Minor | 2 | 9A | 116 BPM | ||
Fauré: 3 Mélodies, Op. 7: No. 1, Après un rêve (Arr. for Cello and Orchestra) | Gabriel Fauré, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra | F Minor | 1 | 4A | 82 BPM | ||
Mass, "Princeps pacis": I. Kyrie | William Lloyd Webber, Richard Hickox, Ian Watson, Westminster Singers | A Major | 1 | 11B | 82 BPM | ||
3 Gymnopédies: Gymnopedie No. 1 | Erik Satie, Claude Debussy, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | G Major | 0 | 9B | 78 BPM | ||
Five English Nursery Tunes: IV. Curly Locks | Hubert Clifford, Martyn Brabbins, BBC Philharmonic | B♭ Major | 0 | 6B | 74 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM |
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