Aaron Copland, Concert Arts Orchestra, Robert Irving's 'Buckaroo Holiday' came out on January 1, 2001. Since Buckaroo Holiday is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 24 in Copland & Bernstein: American Ballet by Concert Arts Orchestra, Robert Irving. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Buckaroo Holiday is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Buckaroo Holiday by Aaron Copland, Concert Arts Orchestra, Robert Irving is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
Crown Imperial: A Coronation March | William Walton, BBC Concert Orchestra, Barry Wordsworth | C Major | 4 | 8B | 121 BPM | ||
Entry Of The Gladiators | Julius Fučík, Gothenburg Symphony Orchestra, Neeme Järvi | C Major | 6 | 8B | 117 BPM | ||
Trumpet Tune in C Major, Z. 697 | Henry Purcell, The Prague Brass Soloists | F Major | 1 | 7B | 112 BPM | ||
Schumann / Orch. Wihtol: Carnaval, Op. 9: No. 14, Reconnaissance | Robert Schumann, Robert Irving, Philharmonia Orchestra | A♭ Major | 1 | 4B | 110 BPM | ||
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 2 | 10B | 105 BPM | ||
Adam / Arr. Büsser: Giselle, Act 2: No. 16, Finale | Adolphe Adam, Robert Irving, Philharmonia Orchestra | D Major | 3 | 10B | 111 BPM | ||
Schumann / Orch. Lyadov: Carnaval, Op. 9: No. 10, A.S.C.H. - S.C.H.A. "Lettres dansantes" | Robert Schumann, Robert Irving, Philharmonia Orchestra | A♭ Major | 1 | 4B | 110 BPM | ||
Chopin / Arr. Douglas: Les sylphides: Waltz, Op. 64 No. 2 | Frédéric Chopin, Philharmonia Orchestra, Robert Irving | D♭ Minor | 1 | 12A | 74 BPM |
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